Yamini 2019 – IIM Bangalore – Jan 25, 2019

We had a successful Yamini overnight at IIM Bangalore on Jan 25, on the occasion of the 70th Republic Day of India, for a 16th consecutive time!

The overnight started with a brilliant Guru Vandana by Vidwan Ghanakanta Bora. His co-dancers Smt. Anwesa Mahanta and Kum. Sanghamitra Bora have been very good, elevating the whole performance. The piece depicting the fight between Rama and Ravana indeed left the audience spellbound! They had very good musicians who added the aesthetic aural beauty to the concert! It indeed was a great and fitting start to Yamini 2019!

The mesmerizing siblings, Vidwan Lalgudi GJR Krishnan and Vidushi Lalgudi Vijayalakshmi presented a sublime concert. It was Pushya Bahula Panchami, the day Saint Thyagaraja attained Moksha and they played some splendid masterpieces like GnanaMosaga raada (raga PoorviKalyani), Ganamurthe (raga Ganamurthi) of the Saint. It is very fitting that they performed on this day, as they belong to the direct Shishya parampara (lineage) of Saint himself! A mellifluous elaboration of raga Mohanam followed by yet another masterpiece of Thyagaraja, MohanaRama, was indeed a treat to listeners. One of the senior most Carnatic Musicians and living legend, Sangitha Kalanidhi Prof. Trichy Sankaran played some exquisite Mridangam strokes to beautify their presentation all the way. I may say, Prof. Sankaran and Lalgudi bani (gharana) are perhaps made for each other! Sri K V Gopalakrishnan on Khanjira provided a great support. They played some popular compositions like Raghuvamsa Sudha on request and ended aptly with a Thillana composed by their Guru, Sri Lalgudi Jayaraman, in raga Desh. The standing ovation at the end of their concert was very long and befitting!

Vidushi Manjusha Kulkarni Patil presented a brilliant concert starting with a detailed aalap of raag JogKauns, and a bandish in Vilambit EkTaal and TeenTaal. Sri Prashant Pandav on Tabla and Sri Vyasmurti Katti on Harmonium  played very well complementing her melody. A soulful and enchanting aalap and jor-jhala in Sohni left the audience spellbound. She concluded the concert with a folkish dadra and a couple of Abhangs, on request.

Pt. Debasish Bhattacharya presented a soothing and a detailed JogKauns. He demonstrated the beauty of the raag in a languid way and was very well received by the audience at 3 AM!! Pt. Ravindra Yavagal played extremely well to enhance the presentation and it was all happy faces at the end of the concert!

Trichur Brothers, Vidwans Srikrishna Mohan and Ramkumar Mohan are the recent YSNA awardees and we are extremely happy to have hosted their debut performance for SPIC MACAY. Their much anticipated concert started with a soulful Syama Sastri’s Swarajathi masterpiece, Kamakshi, in raga Bhairavi. Brisk Vatapi Ganapathim Bhajeham in raga Hamsadhwani brought their energy out and the audience were enthralled with a variety of compositions for the next hour or so. Their father, Sri Trichur Mohan, yet another senior Mridangam artiste, played exceedingly well and L Ramakrishnan on Violin and Kovai Suresh on Ghatam provided great support. They concluded their concert with some of the popular pieces, ChinnanchirukiliyeVande Mataram and the famous English notes song composed by Sri Muttaiah Bhagavathar, having been inspired by the band in the Mysore kingdom, and popularized by his prime disciple and one of the most important musicians in Carnatic music history, Sri Madurai Mani Iyer.

Note – Concert info extracted from the e-mail sent to all core volunteers of SPIC MACAY by me, in the capacity of the event coordinator.

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Lalgudi GJR Krishnan & Vijayalakshmi – The Music Academy, Chennai – Dec 23, 2017

Lalgudi Siblings, GJR Krishnan and Viji presented a melodious concert at the Madras Music Academy, with Sangitha Kalanidhi Prof. Trichy Sankaran on Mridangam and B S Purushottam (BSP) on Khanjira.

  1. Varnam – Hamsavinodini
  2. Dasarathe – Kokilapriya
  3. Sri Venkata Girisham – Surati
  4. Marugelara O Raghava – JayanthaSri
  5. Sivakaama Sundari – Jaganmohini
  6. Mahitha Pravruddha – Kambhoji
  7. Ragam Tanam Pallavi – Shanmukhapriya
  8. Chandrasekhara – SindhuBhairavi
  9. Thillana – Tilang

The concert started with the Maestro Lalgudi Jayaraman’s composition, a Varnam in HamsavinodiniDasarathe in Kokilapriya was lovely, so were the kalpana swaras.

A beautiful Surati aalapana by Viji was followed by Muthuswamy Deekshitaar’s Sri Venkata Girisham. Niraval in the Charanam was embellished beautifully by Trichy Sankaran. Kalpana Swaras were brilliant!

Two quick compositions Marugelara and Sivakaama Sundari followed, before the main raga for the evening, Kambhoji was taken up by GJR. He played some phrases with really complex gamakas, showing his virtuosity, while maintaining the melody that the Lalgudi Bani is known for! One of the Lalgudi Pancharathnams, Mahitha Pravruddha was the song. I saw a lot of guesses having gone wrong, with people around me trying to predict the song. We have to admire the duo’s quest to present rare krithis. Kalpana swaras and of course, the muktayi were quite interesting!

Shanmukhapriya was outstanding. So soulful and mellifluous that there was not even a second where we felt bored off the long aalapana. They did Graha Bhedam to KaanadaNaata and Dhenuka (thanks to Viji for clearing my doubt about how Kaanada was achieved from Shanmukhpriya through Graha Bhedam – by avoiding Madhyamam). GJR announced the Pallavi was sung by Alathur Brothers in Academy in 1964 and Trichy Sankaran Sir improvised on it. Pallavi, in Jhampa Talam in Khanda gathi was in Tamil, so I couldn’t comprehend the sahityam it inspite of Viji singing. As usual, it was a complex laya pattern, a trademark of the Lalgudis, which keeps students like me interested in following it very closely. Ragamalika swaras were in HuseniNalinakanthiHamir KalyaniKarnaRanjaniRasikapriya and Viji was simply outstanding in this segment!! Trichy Sankaran Sir was brilliant all throughout, and it was indeed a treat watching him.

The concert ended with Chandrasekhara in SindhuBhairavi and Lalgudi’s Thillana in Tilang.

2.5 hours of pure melody, both Violins singing in unison, Trichy Sankaran Sir showing his class and BSP handling Khanjira as carefully as handling a flower – it indeed was a musical ecstasy!!