Kumaresh & Jayanthi Kumaresh – Girinagara Sangeetha Sabha – Feb 3, 2019

Kumaresh and Jayanthi Kumaresh presented a wonderful concert for Girinagara Sangeetha Sabha, with K U Jayachandra Rao on Mridangam, Giridhar Udupa on Ghatam and Pramath Kiran on Morsing, on the occasion of the 25th anniversary of the Sabha!

  1. Vanajakshi (Varnam) – Kalyani (Adi)
  2. Strings Attached Composition – Chakravakam
  3. Sri Dum Durge – SriRanjani
  4. Ragam Tanam Pallavi – Behag

The concert started with a brisk Kalyani Varnam in the higher speed. After a brief soulful aalapana in Chakravakam, it was a creation of Kumaresh & Jayanthi that followed, exhibiting the complete range of the Violin and the Veena. Their compositions are so lilting, appear so simple and have the distinct characteristic, that can perhaps be called Strings Attached mudhra, which is inexplicable in words!

A chaste SriRanjani was the next in line. K & JK’s methodical exposition of this ragam is always a treat to listeners! Muthuswami Dikshitar’s masterpiece, the enchanting Sri Dum Durge was presented amidst a few dozens of students who were sitting on stage to accommodate space for people who were otherwise standing in the hall to listen to their magical presentation! I am fortunate to be one of them witnessing their fingers dance on the respective fingerboards, from the close quarters!! Scintillating SriRanjani swaras poured making it one of the most cherished presentations.

Pallavi in the RTP is usually prepared well in advance by most, if not all of the artistes. Here there is a twist – it was decided that Jayachandra Rao was going to challenge them with the pattern of his choice and they compose a Pallavi on the stage and present it!! A beautiful Behag ragam and sublime Tanam by the duo was the highlight of the evening. Some of Jayanthi’s glides and pauses are mind boggling and Kumaresh’s intense Tanam left us all yearning for more! Jayachandra played a brilliant solo in Misra Chapu highlighting the pattern of Pallavi and the duo responded with an amazing extempore Pallavi. There was no regular Tani Avarthanam segment as such – Udupa and Pramath too played their solos after the Trikalam and Swaras section respectively. Jayanthi played Saveri and Kumaresh played Reetigowla swaras. The duo ended the majestic RTP with a flurry of swaras in different ragas followed by a lovely pattern back in Behag. A spontaneous standing ovation for more than a minute just highlighted how much everyone appreciated and enjoyed the music.

Kumaresh and Jayanthi concluded their concert with a medley HarivasanamKamakshi Lokasakshi and a bit of Bhagyada Lakshmi Baramma.

150 minutes of pure and divine music gave an exhilarating experience to everyone. The whole hall was full even at the end of the concert at around 9:20 PM speaking volumes about their music by itself!

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Kumaresh & Dr. Jayanthi Kumaresh – Ragigudda Anjaneya Temple – Dec 15, 2018

Margazhi Music Season 2018 started for me in Bengaluru this year, with a scintillating Strings Attached concert by Kumaresh and Dr. Jayanthi Kumaresh, in the company of K U Jayachandra Rao on Mridangam and Pramath Kiran on Tabla/Morsing, at the Ragigudda Anjaneya Temple as part of their 50th Anniversary celebrations.

  1. Kanugontini – Bilahari
  2. Veera Hanumathe Namo Namo – Kaanada
  3. Strings Attached composition – Pantuvarali
  4. Ragam Tanam Pallavi – Bahudari
  5. Mangalam

The concert started with a lilting Thyagaraja’s composition, Kanugontini in Bilahari that was embellished with amazing Kalpana Swaras.

Soothing Kaanada followed with some mesmerising passages between Kumaresh and Jayanthi. The rare composition of Dikshitar was very enchanting and Kumaresh singing the Pallavi certainly helped! Sheer brilliance in swaras again left me in awe made me wondering how can this wonderful couple always come up with great ideas!!

Soul stirring Pantuvarali demonstrated virtuosity of both the gifted musicians. Kumaresh played just on the Mandra Sthayi Shadjam string for more than a minute exploring the complete octave with such amazing control! They played one of my favorite compositions while Jayachandra and Pramath did an exceptional job in embellishing it further!!

Ragam Tanam Pallavi in Bahudari will be remembered for the bahudari (many ways) of reaching Gandharam (Ga) by Jayanthi in her exploration of the ragam. Tanam was outstanding by both, putting the audience into trance with their magic. Pallavi Rama Raghukula Soma Tanayuni Brova Bharama.. Dasaratha Tanaya is set to Adi Talam (16). Jayanthi sang the Pallavi for the delight of audience. Trikalam was played well and Tani Avarthanam was entertaining but for the sound system marring it at the crescendo of Jayachandra’s stunning playing. The RTP was concluded with a beautiful garland of ragamalika swaras that lasted one avarthanam each!

The concert ended with a Mangalam comprising of HarivasanamKamakshi Lokasakshi, and a bit of Bhagyada Lakshmi Baramma.

Dhaara – Chowdaiah Memorial Hall – Oct 20, 2018

It is indeed very rare to see unique collaborations like Dhaara, more so, for a great cause like helping flood-hit Kerala and Kodagu to regain their glory. Strings Attached couple Kumaresh – Dr. Jayanthi Kumaresh and Kathak dancing couple Nirupama – Rajendra, in the company of brilliant percussionists Praveen D Rao and Pramath Kiran presented a wonderful treat to the eyes, ears and soul, in the Chowdaiah Memorial Hall.

It was overwhelming to see the wonderful music of Kumaresh and Jayanthi choreographed so beautifully by Nirupama and Rajendra, highlighting the small nuances in their music through their expressions. Kapi Thillana, a composition of Kumaresh, was the starting item which just gave a glimpse of what was in store for the next 2 hours.

Jayanthi played eloquent AmruthaVarshini and Khamas, while Nirupama depicted beautifully the majesty of nature, a small child playing with water and in rain. Kumaresh played an enticing Hamsadhwani while Rajendra depicted Veera rasa. The choice of ragas and playing styles was so great that the dancing couple could do complete justice to both items.

Kumaresh – Jayanthi played a soulful Vasantha and Nirupama – Rajendra choreographed a wonderful duet exhibiting the beauty of nature. It was time for a thrilling percussion segment and by Pramath on drums and Praveen Rao on Tabla. ChalaNata composition was amazing and was choreographed so well – like a dancing couple trying to learn and get inspired from each other, which ended in a playful way.

Charukesi was the solo segment of Kumaresh and Jayanthi. “Soul stirring” is the expression that naturally comes due to their playing style of this grandeur raga. Kumaresh left everyone in awe while demonstrating his virtuosity in exploring the ragam.

NasikaBhushani and Abheri are vividly different ragas and they chose to depict a small story on Radha & Krishna here. The ideas were very innovative. Radha was in extreme love for Krishna that she was seeing him in herself while she was trying to get ready to meet him. Imagine this with a Ragapravaham composition in a ragam like NasikaBhushani! Radha and Krishna were deeply engrossed in making love, at the same time they know that it is the last time they are meeting. This sort of a different characterisation with mixed emotions, for a composition in a ragam like Abheri is simply outstanding!

A visual and musical treat ended with Vande Mataram and exploration of ragam Desh. It is only in these kind of concerts that you feel two eyes are not sufficient to witness. So brilliant were both the couples that my eyes always struggled on the choice between seeing Kumaresh – Jayanthi and Nirupama – Rajendra! Of course, there were two brilliant percussionists in Praveen and Pramath, who contributed a lot to enhanced visual and aural experience.

Dhaara – an outpour of music, expression, dance, rhythm, emotion – a perfect blend of everything!

A word of appreciation to all sponsors and supporters who have supported a unique collaboration like this – hope this opens doors to many more such interesting collaborations for the cause of Indian Arts!

Kumaresh & Jayanthi Kumaresh – Srivani Vidya Kendra – Mar 23, 2018

Srivani Vidya Kendra has been organizing the RamaNavami concerts for 26 seasons now and the lineup for 27th season looks very impressive too, with a good number of top stars performing in the month long festival. It is also heartening to see opportunities for the youngsters being given, for 30 minutes every day before the main concerts begin!

Kumaresh and Dr. Jayanthi Kumaresh performed a scintillating concert, with K U Jayachandra Rao on Mridangam and Pramath Kiran on Tabla/Morsing.

  1. Sarasuda – Saveri (Varnam)
  2. Kanugontini Sri Ramuni – Bilahari
  3. Instrumental composition – Abheri
  4. Neekela Daya Raadu – Sarasangi
  5. Ragam Tanam Pallavi – Saraswathi
  6. Muralidhara Gopala – Maand
  7. Thirupughal – Sindhu Bhairavi
  8. Kamakshi Lokasakshi – Madhyamavathi

Varnam Sarasuda in Saveri and the improvisations in the Chitta Swaras just gave a glipmse of what was in store for the next couple of hours!

A little sketch of Bilahari was followed by Saint Thyagaraja’s composition Kanugontini, that ended with some brilliant Kalpana Swaras. I think, they also played a nice Chitta Swaram (I never heard before) – the beauty was amplified by Kumaresh who played on a harmonic scale to it.

A beautiful Abheri aalapana followed. The composition they played was lilting and sublime, that made my day, having drove more than 20 km (mind you, in the Bengaluru traffic) to attend this concert! It must be one of the many instrumental melodies the amazing couple composed.

Sarasangi is an interesting scale that differs only in Nishadham from Charukesi and Dhaivatham from Sankarabharanam but gives a wonderful effect, altogether! The duo presented a classy aalapana before the nice unheard Ramaswami Sivan’s composition Neekela Daya raadu (thanks to Kumaresh for announcing) was played, that ended with some exquisite Kalpana Swaras.

Saraswathi is a ragam that has divinity in the name and the texture already. The evening couldn’t be better with divinity personified musician Jayanthi performing it in a divine way only she can! It is always a treat to listen to her Tanam and Kumaresh’s virtuosity left everyone in awe! Pallavi was again interesting, in Khanda Triputa Talam and the percussion duo of Jayachandra and Pramath played extremely well to enhance the beauty of the presentation. Tani Avarthanam was entertaining and the experimentation at the end of it with both melody instruments joining was extempore, gutsy and brilliant!

Jayanthi’s Guru, Smt. Padmavathy Ananthagopalan was invited to felicitate the artistes and the audience were treated with a spectacle for the lifetime – Jayanthi being felicitated by her Guru! It must have been an emotional moment for both the Guru & Shishya and the organizers must be appreciated for this great gesture!

There were a couple of compositions in Maand and Sindhu Bhairavi before the Syama Sastri’s composition Kamakshi in Madhyamavathi ended a super concert.