Sikkil Gurucharan (SGC) presented an excellent concert, with H K Venkatram (HKV) on Violin, H S Sudhindra (HSS) on Mridangam and V Suresh (VS) on Ghatam, at the Madras Music Academy.
- Tharuni – Kambhoji Varnam
- Sri Ganeshwara – Shanmukhapriya
- Mayuranatham Anisham – Dhanyasi
- Tatvameruga Tarama – Garudadhwani
- Intha Paraakelara – Kharaharapriya
- Ragam Tanam Pallavi (& krithi) – Kumudakriya
- Kanna Va – Ragamalika
- Thillana – Poorvi
The concert started with the Varnam Tharuni in Kambhoji in two speeds. Brief sketch of Shanmukhapriya followed by Oothukkadu Venkata Kavi’s composition Sri Ganeshwara was brilliant. SGC announced that the Sangitha Kalanidhi designate Chitravina Ravikiran polished and popularized this composition. Swara exchanges between SGC and HKV were top class!
Dhanyasi aalapana by both SGC and HKV was very soulful. Mayuranatham Anisham, a Muthuswamy Deekshitar’s composition was lovely. Brisk Tatvameruga Tarama was the energetic filler between two long items. Swaras in Garudadhwani at blistering speed and in special patterns, were a treat for the audience and students alike!
Kharaharapriya aalapana by SGC was beautiful, trying to present some rare phrases amidst typical raga flavour. I am floored by his control in some gamakas and in the way he sustained some notes quite long. HKV did an amazing return of Kharaharapriya in his typical style. Intha paraakelara, a composition of Pallavi Sesha Iyer was presented very well. Niraval at the Pallavi line and the kalpana swaras that followed, were so nice! HSS and VS did a fantastic job in Tani Avarthanam, both competed in bettering the other’s returns. The entire concert was indeed embellished by their performance!!!
My pick of the evening is Ragam Tanam Pallavi in Kumudakriya. The aalapana was soul stirring, especially the Violin return drew many aah-s and bhale-s from audience. Pallavi ArdhaNaareswaram Aaradhanayaami Satatam Abhayakaram Bhayakaram Shivakaram was nice except for the word break “ArdhaNaa Reeswaram” that was annoying. There was definitely space for him to make it “ArdhaNaari Iswaram” which would have made Lord Shiva more happier. I am sure he would have been happier anyways, the way the Pallavi Niraval and swaras following it were presented. A very quick Ragamalika (with no Violin return) happened in no time and I understand he had to rush it through as he had plans of singing the famous krithi Ardhanareeswaram quickly. Nice support by HSS and VS all the way!
The concert ended with a Viruttam in Kapi followed by Kanna Va in Ragamalika, again quickly followed by Thillana which he started at half minute past 18:29 to finish off just 1.5 minutes late to the scheduled time 18:30.
Overall, a beautiful concert – Kumudakriya certainly had a nice effect that it was ringing in my ears for quite some time after the concert. It was good to see nice camaraderie among the musicians, as I saw Ramakrishnan Murthy, Sandeep Narayan and few others attend the concert!