Bombay Jayashri & Shubha Mudgal – Times SwarSangam – March 12, 2017

A delightful Jugalbandi to end a wonderful double-header on a Sunday forenoon, by Smt. Bombay Jayashri (Carnatic Vocal) and Smt. Shubha Mudgal (Hindustani Vocal) served as a lunch feast for the packed audience of Chowdaiah Memorial Hall. Bombay Jayashri (BJ) and Shubha Mudgal (SM) performed with Sri Embar Kannan on Violin, Sri Manoj Siva on Mridangam, Sri Aneesh Pradhan on Tabla and Sri Sudhir Nayak on Harmonium.

  1. SubhaPantuvarali / Todi
  2. Sankarabharanam / Devgiri Bilawal
  3. Sree / Desi
  4. Madhuvanthi (?)

The concert started with soul stirring aalaps from both BJ & SM and they chose to present different compositions from each classical system, by trying to show similarities and dissimilarities in both systems with regard to the raga chosen (as quoted by SM). While I am an illiterate in Hindustani Music, I am just writing whatever I heard or perceived today at the concert from SM. This statement in no way intends to mean that I know anything in Carnatic Music! SM chose to sing a piece by her Guru Pt. Ramashreya Jha in Todi while BJ performed a rare krithi Nee samanamevaru lerani in SubhaPantuvarali by one of the greatest Carnatic Musicians, G N Balasubramanian. Both systems were weaved into a very beautiful structure, alternating between the wonderful musicians.

The second ragam was Devgiri Bilawal. The grand Sankarabharanam of Carnatic tradition closely moves with this raga (as quoted by BJ). Interesting to see the melodic instruments’ jugalbandi in this set, by Embar Kannan on Violin and Sudhir Nayak on Harmonium. Embar’s rendition of Sankarabharanam was pristine and well, my tryst with the ragam continues! While I don’t know the composition SM took up, BJ sang the beautiful krithi of Saint Thyagaraja, Swara Raga Sudha. Let me not try to explain about the renditions as I can never do justice to it. Soulful! Enough said!!

Time for Sree ragam and it’s closer sister Raag Desi. Muttuswamy Deekshitaar’s composition Sree Varalakshmi was presented by BJ while SM presented a composition of her Guru Pt. Ramashreya Jha. It sounded as if both systems of music are trying to showcase the richness of ragas owned, in a very lucid way. While it highlighted similarities, it also highlighted how they are dissimilar to each other too!

Tani Avarthanam as a start of the song was an innovative experiment, allowing the percussion artistes to demonstrate their ideas without being affected by the composition or the swara patterns that usually follow. Manoj Siva and Aneesh Pradhan did a fabulous job of presenting the jugalbandi of Mridangam and Tabla. The krithi that followed brought back fond memories of a recent jugalbandi by BJ and Dr. Jayanthi Kumaresh that I attended. BJ took up Sadasiva Brahmendra’s Tunga Tarange Gange while SM presented a composition by Aneesh Pradhan. Earlier I heard the Hamsadhwani version of it, composed by Lalgudi Jayaraman and it is the Madhuvanthi version of it (composed by BJ herself) that was presented in this concert. This composition marked a perfect end to a Jugalbandi, like Ganga flowing all the way till South and perhaps meeting Godavari, to make all the lands fertile in the process!

TOI did a great job of bringing great combinations in this jugalbandi festival and my first “vocal” jugalbandi can’t get any better than featuring two stars of both traditions!

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H K Venkatram, Ashwin Anand & Ravikiran – Odukathur Mutt – February 26, 2017

Very glad to have attended a beautiful Violin – Veena – Venu (VVV) concert by my Guru Sri H K Venkatram (HKV), Sri Ashwin Anand & Sri Ravikiran with the amazing Mridangam Maestro Guru Sri Karaikudi Mani and Sri Guruprasanna on Khanjira, as part of Kalotsav 2017 at Odukathur Mutt Sivaratri celebrations!

  1. Parvathi Pathim Pranaumi Satatam- Hamsadhwani
  2. Thyagaraja Yoga Vaibhavam – Ananda Bhairavi
  3. Sobhillu Saptaswara – Jaganmohini
  4. Siva Siva Siva Anarada – Pantuvarali
  5. Dattatreya Trimurti Rupa – Ranjani
  6. Swara Raga Sudha – Sankarabharanam
  7. Shiva Darushana Namagayithu – Madhyamavathi
  8. Thillana – Mohanakalyani
  9. Mangalam – Sourashtram

Concert started with the krithi Parvathi Pathim, a composition of Muttuswamy Deekshitaar, in Hamsadhwani on a very auspicious note. This is a rare krithi and was a perfect pick to start with, for this being Sivaratri time. Kalpana swaras set the tone for the rest of the concert, which indeed turned out to be a memorable one!

Thyagaraja Yoga Vaibhavam is one of the remarkable compositions of Muttuswamy Deekshitaar, which is set to chouka kala (Vilambit) Rupaka Talam. The Gopuchcham and Srotaavaham experimentations in Pallavi and Madhyamakala Sahityam are always a treat to listen to! Thanks to Dr. SrinivasaRaghavan who threw some light on these aspects of the composition. A very brief aalapana of Ananda Bhairavi by HKV Sir led to a wonderful rendition of this composition. A unison of three melody instruments Violin, Veena and Flute performing in a great synchrony was a delight – add to it Mani Sir’s Mridangam and Guruprasanna’s wonderful shadowing of him with his Khanjira!

Brisk Sobhillu Saptaswara, a great composition of Saint Thyagaraja was a filler before the sub-main composition. Ashwin presented a very nice and detailed exploration of Pantuvarali. Being Sivaratri season, the krithi Siva Siva Siva Anarada, a composition of Saint Thyagaraja was expected. Grand Niraval on Agamamula Nutiyinchi by all three on VVV explored multiple dimensions of the wonderful ragam. Kalpana swaras followed in multiple rhythmic patterns.

Ravikiran presented a nice Ranjani aalapana. The krithi that followed was Dattatreya Trimurthi Rupa, a composition by Sachchidananda Swamy ji.

Sankarabharanam. My tryst with this amazing ragam continues!! Like I mentioned in a couple of my previous posts, it is a ragam in which I learn new phrases each time I listen to it! As usual, a very soothing aalapana from HKV Sir exploring the majestic ragam to the core, made the audience spellbound! Saint Thyagaraja’s immortal composition Swara Raga Sudha followed as the grand main piece of the evening. An exquisite round of kalpana swaras followed by the most awaited Tani Avarthanam by the Maestro Mani Sir. What an energy!! What a delightful Avarthanam it was, ably complemented by Guruprasanna!! A Thunderous applause almost at the end of every cycle from audience said it all!

Mani Sir took the mic to speak a few words after the mandatory vote of thanks from the organizers. He talked about the Mridanga Saileswari Temple in Kannur, a few words about HKV Sir and his music. He recollected that the last VVV concert he played was for the legendary Maestros Lalgudi Jayaraman – N Ramani – Venkatraman trio, about 4 decades before.

A memorable concert ended with Purandara Dasa’s composition Shiva Darushana Namagayithu in Madhyamavathi, Lalgudi Jayaraman’s Thillana in MohanaKalyani, which is one of the all-time favorite compositions for most musicians and a traditional Mangalam in Sourashtram.

The concert got delayed by about 40 minutes or so, because the dance programme preceding it got extended quite a bit, else we would probably have heard a Ragam Tanam Pallavi. Nonetheless, this 2.5 hours concert will be remembered for long long time!!!

Akkarai Sisters – Odukathur Mutt – February 21, 2017

My first concert of the Sivaratri season is a Vocal concert by Akkarai Sisters at Odukathur Mutt. Always had pleasant memories there!

Akkarai Subhalakshmi and Sornalatha gave a wonderful vocal duet with Mathur Srinidhi on Violin, K U Jayachandra Rao on Mridangam and Arun Kumar on Morsing.

  1. Era Naapai – Todi (Varnam)
  2. Alavadennalo Shivame – Pharaz
  3. Ananda Tandavam – Vachaspati
  4. Ardhanaareswaram – Kumudakriya
  5. Brova Bharama – Bahudari
  6. Akshaya Linga Vibho – Sankarabharanam
  7. Eppo varuvaro – Jonpuri
  8. Ayye metha kadinam – Ragamalika
  9. Karpakame – Madhyamavathi
  10. Mangalam – Sourashtram

Akkarai Sisters demonstrated as much virtuosity in singing as they would normally on Violin! Todi Varnam in 4 speeds is a cracker of a start!!

Alavadennalo Shivame in a rare ragam Pharaz is a first timer for me. It’s one of the Sapta Ratnas of Uttukadu Venkatasubbayyar. Lovely exploration of Vachaspati by Sornalatha followed, with a nice return from Mathur on Violin. Ananda Tandavam is the composition to follow, and I really liked the composition. It is apparently a composition of their grandfather and the charanam has swara aksharams right from Madhya sthayi Gandharam till tara sthayi Panchamam. It was indeed amazing to see them reach higher Pa with ease! KUJ and Arun were soft, yet always in the frame, elevating the concert to a different level.

Kumudakriya expansion by Subhalakshmi is fabulous. Muttuswamy Deekshitaar’s Ardhanaareswaram was rendered with so much bhavam and devotion. Kalpana swaras showed their rhythmic excellence! A quick Brova Bharama in Bahudari followed, to leave the stage to the main composition.

Sankarabharanam, like I mentioned in one of my previous posts, is a ragam that I keep knowing something new about every time I listen to it from anyone! Subhalakshmi treated the ragam like a child, caressing it with so much of care and affection! Violin return by Mathur was nice too. Within the span of a month, I heard the composition of Deekshitaar, Akshaya Linga Vibho, twice (that too as main piece) and I am in love with the song and the wonderful sahityam. Charanam even as a text is also a treat to the ears without music. Beauty of Sanskrit and the masterpiece of a composition!! Niraval on Badari vanamuna naayika sahitha and kalpana swaras were weaved very well to make the composition grand. Fantabulous Tani Avarthanam by Jayachandra Rao and Arun Kumar kept everyone on the edge of their seats, in excitement.

The concert ended with a few Tamil compositions which made everyone happy in the hall. Overall, a very nice concert. I had initially planned to stay for sometime and leave to finish other work, but I was glued to the seat and ended up sitting through full concert. First vocal duet concert by the Akkarai Sisters was indeed charming as they always are!!

Saketharaman – Sreerama Seva Mandali, Mysuru -January 22, 2017

This is my first concert in Mysuru! I had a lovely time travelling with my Guru to and from Mysuru, add a beautiful concert by Saketharaman to make it a special day!!

Saketharaman performed with my Guru Sri H K Venkatram on Violin, Sri Arjun Kumar on Mridangam and Sri G S Ramanujam on Ghatam. This is a concert themed on Lord Shiva, as it was held as part of a week long celebrations on him.

  1. Saranu Siddhi Vinayaka – Sourashtram
  2. Naada tanumanisham – Chittaranjani
  3. Siva Siva Siva – Pantuvarali
  4. Enneramum – Devagandhari
  5. Rama Rama Rama Rama Ramayaniro – Vasantha
  6. Akshaya linga vibho – Sankarabharanam
  7. Chandra chooda Siva Sankara – Darbari Kaanada
  8. Ayye metha kadinam – Ragamalika
  9. Thillana – Rakeshri
  10. Pavamana Suthudu – Sourashtram

After a couple of brisk krithis in Sourashtram and Chittaranjani, the soulful Pantuvarali aalapana took off! Even more soul stirring was the return on Violin! Knowing that the concert was themed on Lord Shiva, I expected the krithi Siva Siva Sivayana rada that had an excellent Niraval on Agamamula Nutiyinchi… which ended with some excellent round of kalpana swaras.

A pleasing aalapana in Devagandhari followed. Interestingly, the same afternoon I was trying to understand the differences between this and Aarabhi, while I was travelling with my Guru. Saketh sings these kind of ragas very well, in a light voice! A Tamil composition Enneramum, which I never heard before was presented. The famous Rama Rama Rama Rama Ramayaniro in Vasantha served as filler before Sankarabharanam took off!

Sankarabharanam is probably one of those ragas that I always hear some new phrases in, despite listening to it many times. Great aalapana followed by a delightful Violin return by HKV Sir will be remembered for long time! Akshaya Linga Vibho was again a krithi that I heard for the first time. Niraval exchanges on Badari vanamuna naayika sahitha… was again a delight and kalpana swaras, especially some phrases around Gandharam and Nishadham were exquisite. What a treat! Tani Avarthanam by Arjun Kumar and Ramanujam was nice.

One of my favorite ragas, Darbari Kaanada, was very briefly presented leading upto Chandra Chooda Siva Sankara followed by Ayye metha kadinam in Ragamalika. The vote of thanks was soooooo long, owing to the last day of a week long celebrations on Shiva, and there was not much time left for the artistes by the time they were done with it.

The concert ended with Lalgudi Sir’s Thillana in ragam Rakeshri followed by traditional Mangalam!

My picks of the evening were Saketh’s Devagandhari aalapana and HKV Sir’s Sankarabharanam aalapana!!