Kumaresh & Jayanthi Kumaresh – Srivani Vidya Kendra – Mar 23, 2018

Srivani Vidya Kendra has been organizing the RamaNavami concerts for 26 seasons now and the lineup for 27th season looks very impressive too, with a good number of top stars performing in the month long festival. It is also heartening to see opportunities for the youngsters being given, for 30 minutes every day before the main concerts begin!

Kumaresh and Dr. Jayanthi Kumaresh performed a scintillating concert, with K U Jayachandra Rao on Mridangam and Pramath Kiran on Tabla/Morsing.

  1. Sarasuda – Saveri (Varnam)
  2. Kanugontini Sri Ramuni – Bilahari
  3. Instrumental composition – Abheri
  4. Neekela Daya Raadu – Sarasangi
  5. Ragam Tanam Pallavi – Saraswathi
  6. Muralidhara Gopala – Maand
  7. Thirupughal – Sindhu Bhairavi
  8. Kamakshi Lokasakshi – Madhyamavathi

Varnam Sarasuda in Saveri and the improvisations in the Chitta Swaras just gave a glipmse of what was in store for the next couple of hours!

A little sketch of Bilahari was followed by Saint Thyagaraja’s composition Kanugontini, that ended with some brilliant Kalpana Swaras. I think, they also played a nice Chitta Swaram (I never heard before) – the beauty was amplified by Kumaresh who played on a harmonic scale to it.

A beautiful Abheri aalapana followed. The composition they played was lilting and sublime, that made my day, having drove more than 20 km (mind you, in the Bengaluru traffic) to attend this concert! It must be one of the many instrumental melodies the amazing couple composed.

Sarasangi is an interesting scale that differs only in Nishadham from Charukesi and Dhaivatham from Sankarabharanam but gives a wonderful effect, altogether! The duo presented a classy aalapana before the nice unheard Ramaswami Sivan’s composition Neekela Daya raadu (thanks to Kumaresh for announcing) was played, that ended with some exquisite Kalpana Swaras.

Saraswathi is a ragam that has divinity in the name and the texture already. The evening couldn’t be better with divinity personified musician Jayanthi performing it in a divine way only she can! It is always a treat to listen to her Tanam and Kumaresh’s virtuosity left everyone in awe! Pallavi was again interesting, in Khanda Triputa Talam and the percussion duo of Jayachandra and Pramath played extremely well to enhance the beauty of the presentation. Tani Avarthanam was entertaining and the experimentation at the end of it with both melody instruments joining was extempore, gutsy and brilliant!

Jayanthi’s Guru, Smt. Padmavathy Ananthagopalan was invited to felicitate the artistes and the audience were treated with a spectacle for the lifetime – Jayanthi being felicitated by her Guru! It must have been an emotional moment for both the Guru & Shishya and the organizers must be appreciated for this great gesture!

There were a couple of compositions in Maand and Sindhu Bhairavi before the Syama Sastri’s composition Kamakshi in Madhyamavathi ended a super concert.

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