Yamini 2018 – IIIT Bangalore – Oct 31 / Nov 1, 2018

SPIC MACAY Bengaluru and IIIT Bangalore collaborated to present Yamini 2018, an overnight series of concerts on Oct 31, on the occasion of Karnataka Rajyotsava (Nov 1).

Dr. Rajam started the proceedings with her melodious aalap in Raag Yaman, which was the main piece of her concert. The way she made her Violin sing was amazing and her virtuosity left everyone in awe. Her granddaughter Kum. Nandini Shankar accompanied her ably on the Violin and Sri Ravikiran Nakod followed them closely with his soft playing. She played a couple of Bhajans in Vaishnava Jana to and Payo ji mein ne.. to end her short concert and the start to Yamini couldn’t be better.

Dr. Jayanthi Kumaresh presented the National Instrument of India, the Saraswathi Veena as the second concert of the overnight, to a packed audience. IIIT-B student team arranged a few LED screens for people who couldn’t afford to get a seat in the hall and it helped everyone to witness the proceedings. She started with an aalap and composition in a chaste Carnatic ragam Nattakurinji and the swaras were scintillating. She presented a mellifluous aalap of the beautiful ragam AmrithaVarshini. The swaras that followed the song literally poured down like a calm rain with an inch-perfect precision. Kapi is one of the beautiful ragas which has similar scale and structure in Hindustani system as well, and a composition of Saint Thyagaraja was presented after a soulful aalap in it. Sankarabharanam, a majestic scale – common to Carnatic, Hindustani and Western Classical systems of music, was the main piece of her concert. Dr. Jayanthi presented a delightful and an intense Ragam-Tanam-Pallavi in it, demonstrating her virtuosity and the voice of the Saraswathi Veena. A sublime ragamalika Tanam in SankarabharanamHamsanandiValachi and Revathi will be cherished by the students for long time. She was in company of two excellent percussionists – Sri K U Jayachandra Rao on Mridangam and Sri Trichy Krishnaswamy on Ghatam, who complemented her beautifully all the way!

After an intense couple of hours, Dr. Jayanthi ended her concert with a Thillana, a composition of her maternal uncle, Sri Lalgudi Jayaraman, in raga Misra Sivaranjani to leave the stage to another wonderful musician from Lalgudi school, Sri Saketharaman.

Sri Saketharaman started his concert in an unusual style with a Mallari in ragam GambhiraNaata. Mallari is typically performed by Nadaswaram artistes inviting the deity inside temples. His songs in raga Todi (very different from Hindustani Todi) and a typical Carnatic ragam Aahiri were soul stirring. The main ragam of the concert is a chaste Begada, and it was so beautiful that audience enjoyed some of the phrases subtly presented by him in a delicate manner. Sri H K Venkatram on the Violin beautified it in his return in his typical style. The ragam is often referred to as Begada-Meegada to highlight the smoothness of ragam like a fresh cream (Meegada in Telugu means cream over milk) and is known to be very difficult to present. Sri Saketh and team presented an amazing Ragam-Tanam-Pallavi in ragam Shuddh Saarang, one of those typical ragas that got introduced into Carnatic System by getting inspired from Hindustani system. He composed a special Pallavi on Bengaluru on the account of Karnataka Rajyotsava Sumadhura Kannada vaniyu nelasiha Namma ooru swargake mihilagudu. Percussion duo of Sri Patri Satish Kumar on Mridangam and Sri Guruprasanna on Khanjira played brilliantly throughout the concert. He concluded the concert with Baaro Krishnayya and a Meera Bhajan in ragam MisraSurya.

Sri Margi Madhu presented an inspiring Koodiyattam performance in the play, Anguleeyakam. It is an interesting play highlighting the significance of the ring carried by Hanuman in finding whereabouts of Sita. He hands over the ring to her on behalf of Rama and destroys the whole of Lanka with his tail when Ravana set it on fire, after being annoyed by the destruction Hanuman caused in Lanka. In the end, Hanuman returns to Mount Malyavan to meet Rama in ecstasy and hands over the tiara given by Sita in return to the Anguleeyakam given by Hanuman.

Dr. Ashwini Bhide Deshpande raised the symphony of Yamini to great crescendo in the final concert of the night. She shared her deep perspective of awakening of the soul in three mellifluous own compositions in Raag Lalat so apt for the first Prahar of the night. The environment lit up with aggressive taans of Ab to jaago kanhaiyya. Moving from the brahm muhurt to dawn, she caressed swaras with melodious uncommon Raag Mangal Bhairavpresenting madhya lay bandish “tum palan haar” and drut cheej “jaago re jaago bhayi parbhat”. Keeping the tradition, Ashwini ji concluded concert on a high note with a Marathi Abhang in raag Bhairavi. Sri Ravindra Yavagal on Tabla and Sri Vyasmurti Katti on Harmonium complemented her very well, and Dr. Radhika Joshi gave good vocal support.

Note – This is a copy of the report (with a few minor changes) I published to all core members of SPIC MACAY across the world, as the co-coordinator of the event.

Thanks to my colleague Mandar Bokil for his wonderful write-up about Dr. Ashwini’s concert!

Yamini 2018 was indeed a great success with excellent contributions from students, faculty and staff of IIIT-B and of course from the volunteers of SPIC MACAY.

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Kala Ramnath & Jayanthi Kumaresh – Bhoomija – Oct 14, 2018

Bhoomija always tries to come up with special collaborations and it is no different as the ace musicians, Kala Ramnath (Hindustani Violin) and Dr. Jayanthi Kumaresh (Saraswathi Veena) adorned the stage at the beautiful Chowdaiah Memorial Hall in Bengaluru. Accompanying them were K U Jayachandra Rao on Mridangam and Ojas Adhiya on Tabla.

The buzz in the auditorium was evident as this was the first concert for Bangaloreans after Jayanthi received Indira Sivasailam award from the Music Academy just a couple of evenings earlier. It only got enhanced when the audience knew at the start of the concert that Kala flew all the way from San Francisco and back, just for this programme.

They started the concert with soulful PuriyaDhanashree/Pantuvarali aalaps in their respective traditions. Breathtaking Tanam by Jayanthi where she didn’t use her right hand for more than 30 seconds, thus demonstrating her virtuosity, was one of the highlights of the evening! They played Jayanthi’s composition (I think) in this beautiful ragam and the scintillating swaras left everyone mesmerized. Jayachandra and Ojas played a brilliant Tani Avarthanam.

The next set of ragas were Kalavathi/Valachi. Off late Valachi has become one of my favorite ragas, thanks to listening to a beautiful RTP on it and Abhogi by one and only Balamurali garu on a repeat mode for a couple of days. I really enjoyed the way Kala and Jayanthi presented the ragam with such pristine beauty. Ojas brilliantly complemented the presentation all the way!

The concert was concluded with brief aalaps of Yamuna Kalyani followed by Sri Ramachandra Krupalu.. with Krishna Nee Begane Baaro sneaking in the middle. A spontaneous standing ovation by the almost-full house of Chowdaiah Memorial Hall was very befitting and Kala had to announce “it’s over” as people didn’t even move, perhaps in the awe of what was experienced in the past 90 minutes or so.

I was one of the early bird ticket buyers for the show and I managed to get a front row seat right in front of the stage. Little did I know I will be surrounded by musicians with me feeling like the only alien and an illiterate there! On my immediate right was Smt. Lalgudi Rajalakshmi (Jayanthi’s mother), next to her was Smt. Padmavathy Ananthagopalan (Jayanthi’s Guru) and sitting behind me was Violin virtuoso Kumaresh. However, I am truly blessed to be a part of the wonderful show that Bhoomija curated, sitting in the midst all the great musicians.

The sound was perfectly managed and I appreciate Bhoomija for curating such nice collaborations and wish them many more such projects.

Au revoir Simon Taufel!

Hi,

The ICC World T20 in SriLanka over the past few weeks has been special not just because of the tags “World Cup” or “T20” but because of it being the last international tournament for the greatest umpire ever, Simon Taufel.

Simon hails from Australia, who have mostly been the world champions both in Tests and ODIs since his debut and so was he, in all the possible formats in Cricket umpiring. Australian cricket team might have lost its charm and standards but Simon didn’t, till the last day of his umpiring career! I hardly remember any decision of his’ which made me feel like “Oh, No! How?” If there was any err in his judgement, I am sure it would still be with any of the technologies which can be used.

Cricket is not just about a batsman and a bowler but has lot to do with the decision making on field by the match officials, in which Simon is the best. I can understand the amount of pressure that would be on an umpire when a bowler appeals for a wicket. Never have I seen Simon with a double thought when officiating. OUT or NOT OUT, he is confident.

Simon has once, in an interview, revealed that he wants to officiate in his home country for a test match which was never possible because of the neutral umpire policy of ICC in tests. I believe you can never have an umpire who is more neutral than he is towards any country, be it his homeland too!

Simon, we sure will miss your elegance on the cricket ground. I am sure your ever smiling face with composed body language standing tall behind the non-striker’s wickets will be missed by batsmen. You are simply a genius who made us believe umpiring is very simple, which isn’t! I am lucky to have seen you officiating an IPL match in Hyderabad. I was as delighted to have seen you as I was to have seen Rahul Dravid and Dale Steyn that night.

Now that you have decided to retire from umpiring, ICC needs to seriously have a thought about increasing the use of technology in cricketing decisions. It wasn’t required till now as you have always been better than the technology. You may have hurt many hearts by giving many batsmen OUT, but I am sure they all will be feeling hard on your retirement. You are a legend, you deserve all the respect that you get. You may be moving out of cricket field but will never be out of our minds. Wish you all the best for your future endeavors.

Thank you, Simon!