Saketharaman, accompanied by Akkarai Subhalakshmi on Violin, Patri Satish Kumar on Mridangam and Guruprasanna on Khanjira, delivered a wonderful concert at the 49th Annual Conference of Gayana Samaja.
- Sri Guruguha – Devakriya
- Tala Beku – Bhairavi
- Paripahimam – Vakulabharanam
- Amba Neelambari – Neelambari
- Mukhyaprana enna – Neelamani
- Tulasi Bilva – Kedaragowla
- Maasil Ayodhiyil – Ragamalika
- Ragam Tanam Pallavi – Sindhu Bhairavi
- Bhagyada Lakshmi Baramma – Madhyamavathi
- Thillana – Pahad
- Pavamana Suthudu – Sourashtram
Saketh very thoughtfully weaved a nice concert around the compositions popularized by or composed by Smt. D K Pattammal and HH Jayachamaraja Wodeyar, as this music festival is dedicated to them on their birth centenary.
I was a bit late to this kutcheri and while I was entering the hall, I could hear the scintillating swaras for Sri Guruguha in Devakriya. Glad that I was not too late! A brief outline of Bhairavi followed and the rare song Tala Beku was presented very well. Vakulabharanam aalapana by Subhalakshmi was very serene and soulful! Wodeyar’s composition Paripahimam ended with a brilliant swara muktayi. Top class stuff from all, just that Satish Kumar was a tad louder in the end.
Brilliant aalapana of Neelambari was presented by Saketh and Subhalakshmi. He started with slokam Manikyaveena.. and presented the Ponniah Pillai’s composition Amba Neelambari with great devotion to the Goddess. Satish Kumar played very well here complementing the soulful singing by Saketh.
Kedaragowla was again a top class stuff from Saketh which will be in my mind for long time. Very soulful and soothing indeed! Niraval at uramuna mukhamuna shiramuna bhujamuna karamuna netramuna charana yugambuna was amazing, although you expect much longer Niraval from Saketh’s concerts typically. Swaras were outstanding – at one point he demonstrated multiple ways of reaching Nishadham and muktayi was quite interesting. Saketh is always amazing in getting those different challenging permutations and combinations and what a treat it was for the ears! Transition to Bilahari and back through GrahaBhedam both in raga and swaras section was good. Subhalakshmi also played very well though it felt a tad louder on the ears especially at the swaras! Brilliant Tani by Satish Kumar – while Bhagyalakshmi struggled to keep up with him, it was a commendable performance from the only female Morsing artiste!
Beautiful SindhuBhairavi ragam sung by Saketh where a couple of phrases exactly sounded like they do on the great Lalgudi’s Violin and a wonderful Tanam by Subhalakshmi reminded of a bit of MSG. It is a Pallavi in Trisra jaathi Triuputa Talam in Khanda Gathi, as announced by Saketh – it was a pallavi sung by DKP in Todi which he presented in Sindhu Bhairavi. He announced the ragamalika was going to include some of the famous ragas in which DKP sung pallavis, which included Vachaspati, Todi and a brilliant Kapi!
As the organizer mentioned, it was Friday and there were SubhaLakshmi and BhagyaLakshmi on stage. I think it was an impromptu decision by Saketh to take a cue from the statement and quickly sing Bhagyada Lakshmi Baramma highlighting Bhagya Lakshmi at the start and Akkarai in the last charanam ..akkaraeyulla.. Such a nice wordplay that audience and artistes seem to have enjoyed.
He concluded a very well planned concert with Lalgudi’s Thillana in ragam Pahad and Mangalam in Sourashtram.