Indira Sivasailam Endowment Medal got a feather in it’s cap by awarding herself to Dr. Jayanthi Kumaresh, or the Veenai, as she put it in her acceptance speech! The programme at The Music Academy, Chennai, was a high profile grand affair, with a lots of musicians, dignitaries and media persons attending it. Everyone who attended the event followed by her concert, witnessed a wonderful speaker that Dr. Jayanthi is, that very few people know, apart from her trademark Veena recital! Jayanthi read out a heartening letter that the Saraswathi Veena wrote to her, to be read on her behalf, to a discerning audience for having awarded the prestigious honour on her (the Veena)!!
Jayanthi presented her Indira Sivasailam Endowment Concert with Anantha R Krishnan on Mridangam and Pramath Kiran on Tabla/Morsing.
- Maate Malayadhwaja – Khamas (Daru Varnam)
- Ekamresa Naayike – Karnataka Suddha Saveri
- Sri Dum Durge – SriRanjani
- Kamakshi Kamakoti – SimhendraMadhyamam
- Thillana – Mand
- Kamakshi Lokasakshi – Madhyamavathi
It being a Navarathri season, one expected a lot of compositions on Goddess Durga – Jayanthi too announced her intention right away. The stage was just perfect with the most beautiful decoration one can ever witness and it was awaiting Goddess Durga herself to take a seat to give it a complete look! Jayanthi started with a very brief outline of Khamas, and to me it sounded very fresh and pleasantly different! Muttaiah Bhagavathar’s masterpiece Daru Varnam Maate Malayadhwaja started the proceedings in a very grand fashion.
Ekamresa Naayike, one of my favorite Dikshitar Krithis, was beautiful. The aalapana preceding it was meditative and the swaras were top class, with Anantha Krishnan providing great embellishment. A soulful SriRanjani followed. The rare krithi of Dikshitar Sri Dum Durge would have made him proud from heavens. The Veena was literally singing his masterful choice of words in the praise of Goddess Durga. The swaras were brilliant – a fabulous muktayi just left everyone in awe.
Main ragam of the evening was SimhendraMadhyamam, something which I haven’t heard in a concert in a long time. Jayanthi always has a beautiful knack of making it look easier for novices like me with her charming smile and she enjoying her presentation only doubled the apparent ease. Sublime elaboration of the ragam, caressing the notes in all three octaves with great ease, was certainly a treat to witness! Tanam was flowing freely like a river and in the process, showing the different majestic strides of it through Ragamalika in Sahana, Ranjani and Aarabhi before concluding back in it’s main stream SimhendraMadhyamam. Scintillating swaras section, where Anantha and Pramath played extremely well to match her style was outstanding. A short and entertaining Tani Avarthanam brought to close, what I would call an epic!
Lalgudi Jayaraman’s composition, a Thillana, yet again on Goddess Kamakshi, in Mand was as grand as ever and Jayanthi ended her concert with her trademark song Kamakshi Lokasakshi in Madhyamavathi, a composition of Syama Sastri.
Goddess Kamakshi came all the way to the Music Academy on the third day of Navarathri, sat in a heaven like stage with awe inspiring background, played on the Veena, conquered everyone with soulful music and stamped with authority that Jayanthi Kumaresh is the Voice of Veena!