Dhaara – Chowdaiah Memorial Hall – Oct 20, 2018

It is indeed very rare to see unique collaborations like Dhaara, more so, for a great cause like helping flood-hit Kerala and Kodagu to regain their glory. Strings Attached couple Kumaresh – Dr. Jayanthi Kumaresh and Kathak dancing couple Nirupama – Rajendra, in the company of brilliant percussionists Praveen D Rao and Pramath Kiran presented a wonderful treat to the eyes, ears and soul, in the Chowdaiah Memorial Hall.

It was overwhelming to see the wonderful music of Kumaresh and Jayanthi choreographed so beautifully by Nirupama and Rajendra, highlighting the small nuances in their music through their expressions. Kapi Thillana, a composition of Kumaresh, was the starting item which just gave a glimpse of what was in store for the next 2 hours.

Jayanthi played eloquent AmruthaVarshini and Khamas, while Nirupama depicted beautifully the majesty of nature, a small child playing with water and in rain. Kumaresh played an enticing Hamsadhwani while Rajendra depicted Veera rasa. The choice of ragas and playing styles was so great that the dancing couple could do complete justice to both items.

Kumaresh – Jayanthi played a soulful Vasantha and Nirupama – Rajendra choreographed a wonderful duet exhibiting the beauty of nature. It was time for a thrilling percussion segment and by Pramath on drums and Praveen Rao on Tabla. ChalaNata composition was amazing and was choreographed so well – like a dancing couple trying to learn and get inspired from each other, which ended in a playful way.

Charukesi was the solo segment of Kumaresh and Jayanthi. “Soul stirring” is the expression that naturally comes due to their playing style of this grandeur raga. Kumaresh left everyone in awe while demonstrating his virtuosity in exploring the ragam.

NasikaBhushani and Abheri are vividly different ragas and they chose to depict a small story on Radha & Krishna here. The ideas were very innovative. Radha was in extreme love for Krishna that she was seeing him in herself while she was trying to get ready to meet him. Imagine this with a Ragapravaham composition in a ragam like NasikaBhushani! Radha and Krishna were deeply engrossed in making love, at the same time they know that it is the last time they are meeting. This sort of a different characterisation with mixed emotions, for a composition in a ragam like Abheri is simply outstanding!

A visual and musical treat ended with Vande Mataram and exploration of ragam Desh. It is only in these kind of concerts that you feel two eyes are not sufficient to witness. So brilliant were both the couples that my eyes always struggled on the choice between seeing Kumaresh – Jayanthi and Nirupama – Rajendra! Of course, there were two brilliant percussionists in Praveen and Pramath, who contributed a lot to enhanced visual and aural experience.

Dhaara – an outpour of music, expression, dance, rhythm, emotion – a perfect blend of everything!

A word of appreciation to all sponsors and supporters who have supported a unique collaboration like this – hope this opens doors to many more such interesting collaborations for the cause of Indian Arts!

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Kala Ramnath & Jayanthi Kumaresh – Bhoomija – Oct 14, 2018

Bhoomija always tries to come up with special collaborations and it is no different as the ace musicians, Kala Ramnath (Hindustani Violin) and Dr. Jayanthi Kumaresh (Saraswathi Veena) adorned the stage at the beautiful Chowdaiah Memorial Hall in Bengaluru. Accompanying them were K U Jayachandra Rao on Mridangam and Ojas Adhiya on Tabla.

The buzz in the auditorium was evident as this was the first concert for Bangaloreans after Jayanthi received Indira Sivasailam award from the Music Academy just a couple of evenings earlier. It only got enhanced when the audience knew at the start of the concert that Kala flew all the way from San Francisco and back, just for this programme.

They started the concert with soulful PuriyaDhanashree/Pantuvarali aalaps in their respective traditions. Breathtaking Tanam by Jayanthi where she didn’t use her right hand for more than 30 seconds, thus demonstrating her virtuosity, was one of the highlights of the evening! They played Jayanthi’s composition (I think) in this beautiful ragam and the scintillating swaras left everyone mesmerized. Jayachandra and Ojas played a brilliant Tani Avarthanam.

The next set of ragas were Kalavathi/Valachi. Off late Valachi has become one of my favorite ragas, thanks to listening to a beautiful RTP on it and Abhogi by one and only Balamurali garu on a repeat mode for a couple of days. I really enjoyed the way Kala and Jayanthi presented the ragam with such pristine beauty. Ojas brilliantly complemented the presentation all the way!

The concert was concluded with brief aalaps of Yamuna Kalyani followed by Sri Ramachandra Krupalu.. with Krishna Nee Begane Baaro sneaking in the middle. A spontaneous standing ovation by the almost-full house of Chowdaiah Memorial Hall was very befitting and Kala had to announce “it’s over” as people didn’t even move, perhaps in the awe of what was experienced in the past 90 minutes or so.

I was one of the early bird ticket buyers for the show and I managed to get a front row seat right in front of the stage. Little did I know I will be surrounded by musicians with me feeling like the only alien and an illiterate there! On my immediate right was Smt. Lalgudi Rajalakshmi (Jayanthi’s mother), next to her was Smt. Padmavathy Ananthagopalan (Jayanthi’s Guru) and sitting behind me was Violin virtuoso Kumaresh. However, I am truly blessed to be a part of the wonderful show that Bhoomija curated, sitting in the midst all the great musicians.

The sound was perfectly managed and I appreciate Bhoomija for curating such nice collaborations and wish them many more such projects.