Kala Ramnath & Jayanthi Kumaresh – Bhoomija – Oct 14, 2018

Bhoomija always tries to come up with special collaborations and it is no different as the ace musicians, Kala Ramnath (Hindustani Violin) and Dr. Jayanthi Kumaresh (Saraswathi Veena) adorned the stage at the beautiful Chowdaiah Memorial Hall in Bengaluru. Accompanying them were K U Jayachandra Rao on Mridangam and Ojas Adhiya on Tabla.

The buzz in the auditorium was evident as this was the first concert for Bangaloreans after Jayanthi received Indira Sivasailam award from the Music Academy just a couple of evenings earlier. It only got enhanced when the audience knew at the start of the concert that Kala flew all the way from San Francisco and back, just for this programme.

They started the concert with soulful PuriyaDhanashree/Pantuvarali aalaps in their respective traditions. Breathtaking Tanam by Jayanthi where she didn’t use her right hand for more than 30 seconds, thus demonstrating her virtuosity, was one of the highlights of the evening! They played Jayanthi’s composition (I think) in this beautiful ragam and the scintillating swaras left everyone mesmerized. Jayachandra and Ojas played a brilliant Tani Avarthanam.

The next set of ragas were Kalavathi/Valachi. Off late Valachi has become one of my favorite ragas, thanks to listening to a beautiful RTP on it and Abhogi by one and only Balamurali garu on a repeat mode for a couple of days. I really enjoyed the way Kala and Jayanthi presented the ragam with such pristine beauty. Ojas brilliantly complemented the presentation all the way!

The concert was concluded with brief aalaps of Yamuna Kalyani followed by Sri Ramachandra Krupalu.. with Krishna Nee Begane Baaro sneaking in the middle. A spontaneous standing ovation by the almost-full house of Chowdaiah Memorial Hall was very befitting and Kala had to announce “it’s over” as people didn’t even move, perhaps in the awe of what was experienced in the past 90 minutes or so.

I was one of the early bird ticket buyers for the show and I managed to get a front row seat right in front of the stage. Little did I know I will be surrounded by musicians with me feeling like the only alien and an illiterate there! On my immediate right was Smt. Lalgudi Rajalakshmi (Jayanthi’s mother), next to her was Smt. Padmavathy Ananthagopalan (Jayanthi’s Guru) and sitting behind me was Violin virtuoso Kumaresh. However, I am truly blessed to be a part of the wonderful show that Bhoomija curated, sitting in the midst all the great musicians.

The sound was perfectly managed and I appreciate Bhoomija for curating such nice collaborations and wish them many more such projects.

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Bombay Jayashri & Jayanthi Kumaresh – Bhoomija – August 6, 2016

A very special concert, by two very very special musicians, in a packed MLR Auditorium was a feast for the music lovers in Bengaluru!

Bhoomija always comes up with special concerts and this, featuring, Bombay Jayashri and Dr. Jayanthi Kumaresh, will be another feather in it’s hat!! They were accompanied by Anantha R Krishnan (Mridangam) and Ojas Adhiya (Tabla).

  1. Keshavaya Namaha – Poorvi Kalyani
  2. Tunga Tarange Gange – Hamsadhwani
  3. Ramachandram Bhavayami – Vasantha
  4. Ragam Tanam Pallavi – Kapi
  5. Thillana – Mand

This was perhaps the most awaited concert of this season and my knowledge is not good enough to write about it. But, I really wanted to document this somehow and hence trying my luck.

It all started with a brief Tani followed by eloquent Poorvi Kalyani aalapana by Dr. Jayanthi. I heard Govinda namas as a song, for the first time, set to tune, so wonderfully, and in whose voice!! So soulful by the one and only, divinity personified, Bombay Jayashri. Veena is an instrument that can produce anything, even including Vedic chants and each and every phrase of the song, on it, was very pristine. What a start to the concert!

Bombay Jayashri started singing the word “Ganga” in many unimaginable ways and in many hues one felt the flow of the holy river cascading down and making the land it touches pure.  Dr. Jayanthi echoed and it was felt that there is sublime river flowing with two banks – Vocal and Veena each bank . That was the effect of the Jugalbandi, perhaps possible only to them being divinity and humility personified musicians!! I never heard the song by Sadasiva Brahmendra, and it will remain in my memory for long time!!

Ramachandram Bhavayami is the next piece in Vasantha. The prelude to it was outstanding… a brief aalapana followed by many different names of Rama, played by Dr. Jayanthi and followed by Jayashri, now exchanging roles from previous piece! It was just magical! The composition by Muthuswami Dikshitar followed and ended with sublime swara patterns.

Kapi is one of my favorite ragas and I never get bored of listening to it. I would have easily heard the Ragam and Tanam played by Dr. Jayanthi in Darbar festival, a few hundred times. Coming back, Raga aalapana was mesmerizing. Tanam was fabulous. I particularly liked the sahityam which was on Goddess Saraswathi, referring to her as “Veena vaadini”. Different patterns of swaras followed and in Ragamalika section Jayashri sung two Hindustani ragas which I don’t know and was returned by Dr. Jayanthi with Nattakurinji and Behag. A scintillating Tani Avarthanam followed, keeping the audience awe-struck!

A delightful concert ended with a Thillana in raga Mand, by Lalgudi Jayaraman.

After the concert got over, I felt, why do these kind of concerts happen very rarely and why only for 90 minutes!!!

DisclaimerPlease excuse me if I wrote anything incorrectly. I am a mere mortal and neither can my vocabulary talk about my feelings, nor can my knowledge in music understand and explain things in greater detail!