Yamini 2019 – IIM Bangalore – Jan 25, 2019

We had a successful Yamini overnight at IIM Bangalore on Jan 25, on the occasion of the 70th Republic Day of India, for a 16th consecutive time!

The overnight started with a brilliant Guru Vandana by Vidwan Ghanakanta Bora. His co-dancers Smt. Anwesa Mahanta and Kum. Sanghamitra Bora have been very good, elevating the whole performance. The piece depicting the fight between Rama and Ravana indeed left the audience spellbound! They had very good musicians who added the aesthetic aural beauty to the concert! It indeed was a great and fitting start to Yamini 2019!

The mesmerizing siblings, Vidwan Lalgudi GJR Krishnan and Vidushi Lalgudi Vijayalakshmi presented a sublime concert. It was Pushya Bahula Panchami, the day Saint Thyagaraja attained Moksha and they played some splendid masterpieces like GnanaMosaga raada (raga PoorviKalyani), Ganamurthe (raga Ganamurthi) of the Saint. It is very fitting that they performed on this day, as they belong to the direct Shishya parampara (lineage) of Saint himself! A mellifluous elaboration of raga Mohanam followed by yet another masterpiece of Thyagaraja, MohanaRama, was indeed a treat to listeners. One of the senior most Carnatic Musicians and living legend, Sangitha Kalanidhi Prof. Trichy Sankaran played some exquisite Mridangam strokes to beautify their presentation all the way. I may say, Prof. Sankaran and Lalgudi bani (gharana) are perhaps made for each other! Sri K V Gopalakrishnan on Khanjira provided a great support. They played some popular compositions like Raghuvamsa Sudha on request and ended aptly with a Thillana composed by their Guru, Sri Lalgudi Jayaraman, in raga Desh. The standing ovation at the end of their concert was very long and befitting!

Vidushi Manjusha Kulkarni Patil presented a brilliant concert starting with a detailed aalap of raag JogKauns, and a bandish in Vilambit EkTaal and TeenTaal. Sri Prashant Pandav on Tabla and Sri Vyasmurti Katti on Harmonium  played very well complementing her melody. A soulful and enchanting aalap and jor-jhala in Sohni left the audience spellbound. She concluded the concert with a folkish dadra and a couple of Abhangs, on request.

Pt. Debasish Bhattacharya presented a soothing and a detailed JogKauns. He demonstrated the beauty of the raag in a languid way and was very well received by the audience at 3 AM!! Pt. Ravindra Yavagal played extremely well to enhance the presentation and it was all happy faces at the end of the concert!

Trichur Brothers, Vidwans Srikrishna Mohan and Ramkumar Mohan are the recent YSNA awardees and we are extremely happy to have hosted their debut performance for SPIC MACAY. Their much anticipated concert started with a soulful Syama Sastri’s Swarajathi masterpiece, Kamakshi, in raga Bhairavi. Brisk Vatapi Ganapathim Bhajeham in raga Hamsadhwani brought their energy out and the audience were enthralled with a variety of compositions for the next hour or so. Their father, Sri Trichur Mohan, yet another senior Mridangam artiste, played exceedingly well and L Ramakrishnan on Violin and Kovai Suresh on Ghatam provided great support. They concluded their concert with some of the popular pieces, ChinnanchirukiliyeVande Mataram and the famous English notes song composed by Sri Muttaiah Bhagavathar, having been inspired by the band in the Mysore kingdom, and popularized by his prime disciple and one of the most important musicians in Carnatic music history, Sri Madurai Mani Iyer.

Note – Concert info extracted from the e-mail sent to all core volunteers of SPIC MACAY by me, in the capacity of the event coordinator.

Advertisements

Dr. Jayanthi Kumaresh – Sri Rama Lalitha Kala Mandira – Jan 5, 2019

Dr. Jayanthi Kumaresh gave an astounding concert at Sri Rama Lalitha Kala Mandira Sankranthi Music Festival, with K U Jayachandra Rao on Mridangam and Giridhar Udupa on Ghatam.

  1. Chalamela (Varnam) – Nattakurinji
  2. Pancha Matanga – Malahari
  3. Nannu Vidachi Kadalakura – Reetigowla
  4. Niravadhi Sukhada – RaviChandrika
  5. Amma Ravamma – Kalyani
  6. Ragam Tanam Pallavi – Malayamarutham
  7. Sri Rama Chandra Kripalu – YamunaKalyani
  8. Thillana – Desh
  9. Kamakshi Lokasakshi – Madhyamavathi

My first concert of 2019 started with a beautiful elaboration of one of my favorite ragas, Nattakurinji. Varnam Chalamela had some interesting variations for last two Ettugada swaras and the start couldn’t be better! A brief sketch of Malahari followed. She distinctly highlighted Sa-Ri-Ma-Ga-Ri-Sa-Ri-Ga-Ri-Sa phrase to bring out the raga flavor in a very short span. I am sure it also helped illiterates like me to easily guess the ragam without further thinking! Dikshitar’s krithi Pancha Matanga was played very well. Mellifluous swaras in Malahari were indeed a treat!

A chaste elaboration of Reetigowla was heavenly. I am fortunate to hear the ragam again in a second consecutive concert of Dr. Jayanthi that I attended. Nannu Vidachi Kadalakura is generally sung in a languid style and is supposed to be very difficult to present on any instrument and this rendition was the best one can hear an instrument sing the composition! Lord Rama would certainly never move anywhere while she played!! Jayachandra followed her very well to beautify the presentation!

A brisk Niravadhi Sukhada was a surprise! The krithi gives a lot of scope to explore in the lovely ChittaSwaram which Jayanthi did, but her variations at start of Charanam Mamava Marakata.. were simply unbelievable! The muktayi at the end of swaras was simply god(dess)ly. She played some outstanding sequences before leading to Mamava Marakata.. back at Madhayam on higher octave!!

Soulful Kalyani was the main piece of the concert. The elaboration was very different and with some of the phrases Jayanthi explored the full octave, which was a crash course of sorts in exploring the queen of ragas! Yet another Thyagaraja’s masterpiece Amma Ravamma was presented beautifully. Some exquisite round of swaras which were repeated well by Jayachandra and Udupa in a sawal-jawaab fashion were concluded with a grand & interesting korvai.

Malayamarutham was another surprise of the evening! Ragam was classy with distinctly showing Nishadham in many ways. It was indeed one of the sublime renditions of the ragam that I ever heard! Tanam was meditative putting audience into a trance, that featured lovely transitions to AbhogiBilahari and back to Malayamarutham. She also sang the Pallavi set to Khanda jaathi Triputa Talam and concluded it with amazing swaras in all three ragas. Tani Avarthanam by Jayachandra and Udupa was interesting.

Sri Rama chandra kripalu was enchanting and upon Udupa’s request she played a Thillana, composition of Lalgudi Jayaraman in Desh, before ending the concert with her trademark Syama Sastri’s composition Kamakshi Lokasakshi.

It was heartening to see the crowd overflowing and some of them sitting outside the premises to listen to Dr. Jayanthi. A packed house till the end of the concert just speaks volumes about how much of an inspiration Jayanthi has been for the youngsters!

Wish you all a happy 2019!!