Dhaara – Chowdaiah Memorial Hall – Oct 20, 2018

It is indeed very rare to see unique collaborations like Dhaara, more so, for a great cause like helping flood-hit Kerala and Kodagu to regain their glory. Strings Attached couple Kumaresh – Dr. Jayanthi Kumaresh and Kathak dancing couple Nirupama – Rajendra, in the company of brilliant percussionists Praveen D Rao and Pramath Kiran presented a wonderful treat to the eyes, ears and soul, in the Chowdaiah Memorial Hall.

It was overwhelming to see the wonderful music of Kumaresh and Jayanthi choreographed so beautifully by Nirupama and Rajendra, highlighting the small nuances in their music through their expressions. Kapi Thillana, a composition of Kumaresh, was the starting item which just gave a glimpse of what was in store for the next 2 hours.

Jayanthi played eloquent AmruthaVarshini and Khamas, while Nirupama depicted beautifully the majesty of nature, a small child playing with water and in rain. Kumaresh played an enticing Hamsadhwani while Rajendra depicted Veera rasa. The choice of ragas and playing styles was so great that the dancing couple could do complete justice to both items.

Kumaresh – Jayanthi played a soulful Vasantha and Nirupama – Rajendra choreographed a wonderful duet exhibiting the beauty of nature. It was time for a thrilling percussion segment and by Pramath on drums and Praveen Rao on Tabla. ChalaNata composition was amazing and was choreographed so well – like a dancing couple trying to learn and get inspired from each other, which ended in a playful way.

Charukesi was the solo segment of Kumaresh and Jayanthi. “Soul stirring” is the expression that naturally comes due to their playing style of this grandeur raga. Kumaresh left everyone in awe while demonstrating his virtuosity in exploring the ragam.

NasikaBhushani and Abheri are vividly different ragas and they chose to depict a small story on Radha & Krishna here. The ideas were very innovative. Radha was in extreme love for Krishna that she was seeing him in herself while she was trying to get ready to meet him. Imagine this with a Ragapravaham composition in a ragam like NasikaBhushani! Radha and Krishna were deeply engrossed in making love, at the same time they know that it is the last time they are meeting. This sort of a different characterisation with mixed emotions, for a composition in a ragam like Abheri is simply outstanding!

A visual and musical treat ended with Vande Mataram and exploration of ragam Desh. It is only in these kind of concerts that you feel two eyes are not sufficient to witness. So brilliant were both the couples that my eyes always struggled on the choice between seeing Kumaresh – Jayanthi and Nirupama – Rajendra! Of course, there were two brilliant percussionists in Praveen and Pramath, who contributed a lot to enhanced visual and aural experience.

Dhaara – an outpour of music, expression, dance, rhythm, emotion – a perfect blend of everything!

A word of appreciation to all sponsors and supporters who have supported a unique collaboration like this – hope this opens doors to many more such interesting collaborations for the cause of Indian Arts!

Published by

Kausal Malladi

Computer Technologist | Occasional Blogger | Carnatic Music Lover

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