Sri T M Krishna and his wonderful team of musicians Sri R K Shriramkumar (RKS) on Violin, Sri K V Prasad (KVP) on Mridangam and Sri Chandrasekhara Sharma (CS) on Ghatam, presented a nice concert for a packed audience at the Unnati Center.
- Sri Dum Durge – Sriranjani
- Viruttam – Sankarabharanam
- Kamakshi – Bhairavi (Swarajathi)
- Perumal Murugan’s composition – Kambhoji
- Dwaithamu Sukhama – Reetigowla
- Krishna Nee Begane Baaro – Yamuna Kalyani
- TulasiDas Bhajan
- Amor Janmobhumi
The start to the concert was fabulous. Sriranjani take off was brilliant and the languid presentation of Muttuswamy Deekshitaar’s Masterpiece Sri Dum Durge was a treat to the ears. Niraval around Karunasalaye… was amazing, so were the kalpana swaras that followed. The highlight was the bhavam while singing swara sangeethalaye.. I had goosebumps and am sure many in the hall would have had too. This presentation will be remembered for long long time.
A serene Sankarabharanam followed, the typical TMK style of presentation of the raga. A beautiful virutham followed and I would have been more happier if a song followed it too, but it just ended there. Nonetheless, the exchanges between TMK and RKS in the ragam were beautiful.
Kamakshi Swarajathi is a masterpiece by Syama Sastri. It is so amazing that a Swarajathi can also be so popular, particularly in a ragam like Bhairavi, which has hundreds of compositions. Again a nice presentation of this, but my heart was wanting for more, more so with the rendition of this song in TMK’s 2016 Rama Seva Mandali concert, that is etched in my memory forever!
Surprise.. surprise!! A small raga aalapana in Kambhoji, brisk and interesting Tanam that rightfully earned applause from full house, was followed by a composition of Perumal Murugan in Tamil (on palm tree), set to tune by the Violin Maestro RKS. Though I couldn’t understand any bit of it (being in Tamil), I could sense the Tamil audience enjoyed it thoroughly – must be real gem of a song on social consciousness!
Dwaithamu Sukhama is yet another masterpiece of Thyagaraja. Kalpana swaras around Nagadha Raja… were interesting, especially various ways of reaching Shadjamam (Sa) and Nishadham (Ni). This segment showed the depth of his voice – he sang swaras in the lowest octave possible to human voice and I don’t think they can be played on Violin. RKS did a brilliant job the way he does always! KVP and CS presented a delightful Tani Avarthanam to make it even special.
Krishna Nee Begane Baro.. well I think Lord Krishna would have definitely arrived and enjoyed the song as TMK soulfully called out begane baaro, equally well responded by RKS. It felt like both were competing (healthily) to make sure who brings Krishna first to the hall!
A very nice concert ended with TulasiDas’ bhajan and Amor Janmobhumi, a composition that is perhaps owned by TMK.
I must say, RKS stole the entire show with his soothing Violin while KVP and CS followed TMK very nicely and embellished the concert!