Bombay Jayashri – Sree Rama Seva Mandali – April 5, 2017

The inaugural concert of the 79th edition of the “Rama Navami” concerts at the Fort High School grounds, organized by Sree Rama Seva Mandali was a beautiful Carnatic Vocal concert by Bombay Jayashri Ramnath for a packed audience!

Smt. Bombay Jayashri performed with Sri Embar Kannan on Violin, Sri Manoj Siva on Mridangam, Sri K V Gopalakrishnan on Khanjira, Smt. Chaitra and Kum. Sahana on Tambura.

  1. Jaya Jaya Swamin – Naata
  2. Manavi Aalakinchara – Nalinakanthi
  3. Akhilandeswari – Dwijavanthi
  4. Rara Rajeevalochana – Mohanam
  5. Ragam Tanam Pallavi – Bhairavi
  6. Ayi Khaga vahini – SubhaPantuvarali
  7. Jagadodharana – Kapi
  8. Thillana – Desh
  9. Gopala Govinda (Bhajan)
  10. Mangalam – Sourashtram

Vakratunda Mahakaya… slokam in Naata that started on a devotional note, led to Jaya Jaya Swamin, a wonderful composition by Narayana Teertha and ended with brisk round of kalpana swaras!

A short aalapana in Nalinakanthi followed by the famous krithi Manavi Aalakinchara, a composition of Saint Thyagaraja, was a surprise! We rarely get to hear this song in vocal concerts, which is treated as one of the all-time favorite krithis in instrumental concerts, especially Violin. This has surely excited everyone present.

Soothing Akhilandeswari, one of the remarkable compositions of Muttuswami Deekshitar followed, to leave the stage for the main ragas of the evening!

Mellifluous Mohanam was a treat for the ears. Ugadi marks the start of Vasanth Rithu, the first fortnight of which is generally known for pleasantries the nature offers. The birds making some sweet music in the early mornings, behind the mango trees with some mangoes hanging out of them, is a very picturesque sight. Mohanam was as melodious as what the nature offers us at this time of the year! Kannan did a fabulous job in his return with some exquisite swara patterns and gamakas! Mysore Vasudevachar’s RaRa Rajeevalochana was a great choice to present ode to Lord Rama on the occasion of Rama Navami. Niraval initially started at Pavanajaapta Sri Vasudeva and she actually sang the entire sahityam from Pallavi till the charanam in each cycle. It was very interesting and Kannan again did a brilliant job in making his Violin sing along with Jayashri, following her style beautifully. Manoj and KVG did very well in enhancing the beauty of this song and the whole concert all the way. Tani Avarthanam by them was brilliant, soft, yet enthused the audience a lot.

It is all about serious music. No fillers between main piece and the RTP! Bhairavi is again a beautiful ragam that never fails to captivate audience! Pallavi Ramam Indeevara Shyaman Dasarathatmajam.. Vande is beautiful. Tanam, Pallavi and Kalpana Swaras were also sung in Simhendramadhyamam and Kapi too. A very good RTP but somehow the heart felt like wanting a bit more which was covered up with a soul stirring SubhaPantuvarali. Santana Lakshmi stotram Ayi Khaga vahini in it, was perhaps the pinnacle of soulfulness one could ever achieve!! The rain God also arrived towards the end of RTP and has shown his happiness with a loud quick burst who was otherwise calm till then. Mind you, the timing of the louder burst was exactly when audience starting applauding at the end of the song in SubhaPantuvarali! Coincidence? Maybe!

The concert ended with a few small compositions sung in a very unhurried manner, for the satisfaction of everyone present there!

The sound quality was very average and I could understand the artistes always had issues with the sound (or lack of it) on monitor. I hope it gets improved as we still have a month long concerts scheduled at the same venue!

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