A delightful Jugalbandi to end a wonderful double-header on a Sunday forenoon, by Smt. Bombay Jayashri (Carnatic Vocal) and Smt. Shubha Mudgal (Hindustani Vocal) served as a lunch feast for the packed audience of Chowdaiah Memorial Hall. Bombay Jayashri (BJ) and Shubha Mudgal (SM) performed with Sri Embar Kannan on Violin, Sri Manoj Siva on Mridangam, Sri Aneesh Pradhan on Tabla and Sri Sudhir Nayak on Harmonium.
- SubhaPantuvarali / Todi
- Sankarabharanam / Devgiri Bilawal
- Sree / Desi
- Madhuvanthi (?)
The concert started with soul stirring aalaps from both BJ & SM and they chose to present different compositions from each classical system, by trying to show similarities and dissimilarities in both systems with regard to the raga chosen (as quoted by SM). While I am an illiterate in Hindustani Music, I am just writing whatever I heard or perceived today at the concert from SM. This statement in no way intends to mean that I know anything in Carnatic Music! SM chose to sing a piece by her Guru Pt. Ramashreya Jha in Todi while BJ performed a rare krithi Nee samanamevaru lerani in SubhaPantuvarali by one of the greatest Carnatic Musicians, G N Balasubramanian. Both systems were weaved into a very beautiful structure, alternating between the wonderful musicians.
The second ragam was Devgiri Bilawal. The grand Sankarabharanam of Carnatic tradition closely moves with this raga (as quoted by BJ). Interesting to see the melodic instruments’ jugalbandi in this set, by Embar Kannan on Violin and Sudhir Nayak on Harmonium. Embar’s rendition of Sankarabharanam was pristine and well, my tryst with the ragam continues! While I don’t know the composition SM took up, BJ sang the beautiful krithi of Saint Thyagaraja, Swara Raga Sudha. Let me not try to explain about the renditions as I can never do justice to it. Soulful! Enough said!!
Time for Sree ragam and it’s closer sister Raag Desi. Muttuswamy Deekshitaar’s composition Sree Varalakshmi was presented by BJ while SM presented a composition of her Guru Pt. Ramashreya Jha. It sounded as if both systems of music are trying to showcase the richness of ragas owned, in a very lucid way. While it highlighted similarities, it also highlighted how they are dissimilar to each other too!
Tani Avarthanam as a start of the song was an innovative experiment, allowing the percussion artistes to demonstrate their ideas without being affected by the composition or the swara patterns that usually follow. Manoj Siva and Aneesh Pradhan did a fabulous job of presenting the jugalbandi of Mridangam and Tabla. The krithi that followed brought back fond memories of a recent jugalbandi by BJ and Dr. Jayanthi Kumaresh that I attended. BJ took up Sadasiva Brahmendra’s Tunga Tarange Gange while SM presented a composition by Aneesh Pradhan. Earlier I heard the Hamsadhwani version of it, composed by Lalgudi Jayaraman and it is the Madhuvanthi version of it (composed by BJ herself) that was presented in this concert. This composition marked a perfect end to a Jugalbandi, like Ganga flowing all the way till South and perhaps meeting Godavari, to make all the lands fertile in the process!
TOI did a great job of bringing great combinations in this jugalbandi festival and my first “vocal” jugalbandi can’t get any better than featuring two stars of both traditions!