Finally I could make it to an Unnati concert! The previous day I missed Lalgudi siblings’ concert because of some priority tasks at office but I made sure I attended most part of Saketharaman concert, and it was almost 1 hour into the concert by the time I could arrive there.
Saketharaman was accompanied by H N Bhaskar on Violin, Mannargudi Easwaran on Mridangam and Sunaad Anoor on Khanjira.
- Venugana Ramana – Todi
- Enna rakshiso – Subha Pantuvarali
- Ragam Tanam Pallavi – Varamu & Saveri
- Thalattu padum – Neelambari
- Daya Maado Ranga – Madhukauns
- Thillana – Yamuna Kalyani
- Pavamana Suthudu – Sourashtram
As I was entering the hall, I heard a bit of Mohana Kalyani aalapana and as soon as I settled, Saketh settled back too, to Todi, after doing a brief Graha Bhedam. I was very glad that I didn’t miss the main composition of the evening, although, I think, I missed about 4-5 songs before. Fabulous rendition of Todi indeed. Very well returned by Bhaskar too. Composition was awesome, with Niraval at “Karunya komala Shyamala…” and some patterns were very interesting in it. Kalpana swaras were in his trademark style, although I felt, the returns on Violin could have been better. Amazing Tani by Mannargudi, very energetic. Felt Sunaad was perhaps a tad bit nervous playing with such a great artiste on Mridangam, but did a good job too. I was amazed at how Saketh ended Muktayi with some fabulous swaras, picking up from percussionists’ Tani patterns. Shows his command on Laya!!
I don’t think I have ever heard Subha Pantuvarali on a concert stage till date and Saketh broke it in style! A very short aalapana followed by soulful rendition of the composition.
Ragam Tanam Pallavi – started with Varamu and then transitioned to Saveri. He switched back and forth in a very lovely manner, in both Ragam and Tanam, and each transition was a treat to the ears! Pallavi mentioned the names of the ragas for those who couldn’t identify earlier.. “Varamulosagi brovavayya Saveri raga priya Kaveri rangayya”. Again, he changed the ragas back and forth in each cycle, in kalpana swaras too. Ragamalika section had Ananda Bhairavi and Madhuvanthi swaras. It was a very nice dwi-raga RTP.
All my favorite ragas came one after the other till now and it continued with brief aalapanas of Sahana, Hamir Kalyani before settling into the composition in Neelambari (which I never heard before). Very soft indeed. Very very soft voice, and so were all the other musicians too!
The concert ended with yet another first timer for me in the form of Lalgudi Jayaraman’s thillana in Yaman Kalyani followed by traditional Mangalam.