Kanyakumari presented a blockbuster concert at Srivani Vidya Kendra with Vittal Rangan on Violin support, Bangalore Praveen on Mridangam and Bangalore Amrith on Khanjira.
- Mahaganapathim – Naata
- Nenendu Vetukudura – Karnataka Behag
- Mamava Pattibhirama – Manirangu
- Bhavayami Raghuramam – Ragamalika
- Nanuganna Talli – Kesari
- Ennallu Urake – Subha Pantuvarali
- Sarasa Sama Daana – KapiNarayani
- Mokshamu Galada – Saramati
- Raghuvamsa Sudha – Kadana Kutoohalam
- Ragam Tanam Krithi (Dinamani Vamsa) – HariKambhoji
- Karadara Barabarade – ?
- Muralidhara Gopala – Maand
- Pibare Rama Rasam – Ahir Bhairav
- Venkatachala Nilayam – SindhuBhairavi
- Bhagyada Lakshmi Baramma – Madhyamavathi
Mahaganapathim in Naata, especially the Kalpana Swaras that built up the intensity gradually, just gave a glimpse of what was in store for the next 2.5 hours. A soothing Nenendu Vethukudura settled the things up. Sound was a little unstable initially but it gradually got better.
My request of the day was honoured in the form of Mamava Pattabhirama in Manirangu. A brief raga sketch followed by the krithi was nice. It was followed by all-time favorite Bhavayami Raghuramam. I must thank her for accommodating both my requests! Kanyakumari did justice to all ragas… Saveri, Nattakurinji, Dhanyasi, Mohanam, Mukhari, PoorviKalyani and Madhyamavathi, through beautiful aalapana and Kalpana swaras, seamlessly transitioning to one from the other and ending in Saveri. A quick Nanuganna Talli was a delight, and Praveen played superbly here to complement her.
A soul stirring Subha Pantuvarali aalapana was presented by Kanyakumari and supported well by Vittal. A rare Thyagaraja Krithi Ennalu Urake ended with scintillating kalpana swaras. After playing a quick Sarasa Sama Dana, she talked for a few minutes. She mentioned about how instrumental concerts have to be given equal weightage vis-a-vis Vocal and appealed to both the audience and organizers to support instrumental music. She also specially thanked H K Venkatram, who is one of the organizing members of the festival for lining up a good number of instrumental concerts.
Mokshamu Galada was soulful. The highlight of the evening was Raghuvamsa Sudha, that followed after a brief aalapana of Kadana Kutoohalam. She played many variations of the Anupallavi and Chitta Swaram, which was presented in slow, medium and fast speeds. Percussion team spiced up the presentation as well, so much so, that everyone looked so drained after that one piece!!
After a brief Ragam and short Tanam in HariKambhoji, she took up Dinamani Vamsa instead of a Pallavi. Mellifluous swaras yet again were enticing. Tani Avarthanam was short and played very well by Praveen and Amrith.
The concert ended with a few small quick pieces. Overall, a great concert though percussion was felt a tad louder sometimes. However, there can’t be major complaints about it and sound system also was kind to the artistes and audience!